Tag Archives: KARI BOVEE

pencil drawing catherine hayes

Irish Women in History – Catherine Hayes, The Victorian Pop Star

Catherine Hayes (not to be confused with the murderess of the same name) was born in Limerick, Ireland in 1818. Abandoned by her musician father at age 5, Catherine grew up in poverty with her mother and younger sister.

 While singing in the garden one day, the purity of twenty-year-old Catherine’s voice was heard by Edmund Knox, the Church of Ireland’s bishop of Limerick. Impressed by the quality of her voice, he helped to arrange funding to send the girl for vocal training. She and her mother traveled to Dublin where she studied under Antonio Sapio.

In her first appearance, she performed a duet with Sapio at a charitable fundraiser singing O’er Shepherd Pipe from the opera Joan of Arc. That first performance started a whirlwind tour and Hayes traveled to Milan, Marseilles, Vienna, and Venice for the next several years. In June of 1849 she sang for Queen Victoria and 500 of her esteemed guests at Buckingham Palace. So taken by the young soprano, the queen requested an encore. Loyal to the Irish cause, Catherine opted to sing the beautiful Irish rebellion song Kathleen Mavoureen.

 In 1851, Hayes toured America, performing in New York, Boston, Toronto, Philadelphia, several cities in the American South, and over 40 other locations. The famed showman P.T. Barnum sponsored Hayes’ tour of California, and billed her as “The Swan of Erin.”

With her popularity at its height, Hayes fees to perform averaged around £650 per month, which is equivalent to $84,000 today. When she visited the well-to-do, yet semi-civilized California gold miners in their camps they bid up to £1150 ($167,000) to hear her sing. California had fallen in love with the Swan of Erin. They not only paid top dollar to attend one of her performances, they named a street after her – Kate Hayes Street—in Grass Valley.

Popular and loved across the globe, some historians have dubbed Miss Hayes the “Madonna” of her time.

Horsewomen in History – Little Known Selika Laszevski

Selika Laszevski is in fact so little known, many historians question her existence at all.

Selika from The Paris Review
The Paris Review

The portrait here was taken by Felix Nadar in 1891, Paris, France. The photo is thought to be of Lasveski, but it is not certain. Some historians speculate that this photograph was taken of an unknown model and Nadar attached a story to her to promote his work.

Whether fictionalized or not, the story goes that Laszevski was a 19th-century equestrian, an écuyère of the Haute école, or equestrian of the high school of dressage. High school meaning of the highest level in classical dressage–the disciplined “equestrian ballet” that has its origins in the military, going as far back as Xenophon’s On Horsemanship, one of the two works of literature on horsemanship by the Greek soldier Xenophone who lived c. 430 – 354 BC.

Although little is know of this equestrian, a short film has made and produced about her by award-winning writer-director Sybil Mair Sybil Mair. The film titled The Adventures of Salika was released in September of 2017.  It is a coming of age story about an African princess who must forge her own way in the world after being displaced by war. She ends up in France and makes her way to the Haute école.

For more information on the film, click here. 

This post was first published on Kari Bovee’s Equus Plus blog on March 15, 2018

Horsewomen in History – Velma Bronn Johnston

Velma Bronn Johnston knew more about pain and suffering than most of us.

Born to Joseph Bronn and Gertrude Clay in 1912, Velma, at eleven years of age contracted polio and was confined to a cast and hospitalization for several months. The disease left her physically disfigured, and the subject of ridiculing and cruelty by her schoolmates. Velma consoled herself with writing and drawing and taking care of the many animals on her parents’ ranch, the Double Lazy Heart Ranch in Reno, Nevada.

Velma had a particular love of horses, as did her father, who, as an infant came to the West with his parents in a covered wagon. It is said that during the during the arduous journey across the desert, his mother, for whatever reason, could not provide milk for him, so resorted to feeding him the milk of a Mustang mare–an act that saved his life. Later in life, Joseph Bronn, to help support his growing family and keep his ranch in operation, ran a freighting service. Many of the horses he used to pull the wagons were Mustangs.

While many of her peers made fun of Velma for her disfigurement, Charlie Johnston, a neighbor, became smitten with her. The two married and eventually took over Velma’s father’s ranch. To make extra money, Velma took a job as a secretary to insurance executive Gordon Harris and worked for him for the next forty years. Unable to have children of their own, Velma and Charlie also opened their home and ranch to many of Nevada’s youth, where they taught them how to ranch and care for animals.

One day, in 1950 while driving either to or from work, (accounts vary) Velma was following a stock trailer and noticed blood oozing from the bottom of the doors. She followed the truck and found out that the wild horses inside were on their way to a slaughterhouse. The blood came from a young foal who was being trampled to death by the frightened older horses.

During that time period, wild horses, many of them Mustangs, were captured and slaughtered for pet food. Their capture consisted of rounding them up with airplanes, and then once they were in a more cohesive group, trucks would chase them and the men hanging out of the windows or in the bed of the truck would lasso them to the ground. Horses who were more difficult to rope, were sometimes “hamstringed,” or shot in the back of the legs, rendering them unable to run. Then, the perpetrators crammed the frightened animals into stock trailers and took them to the slaughterhouse.

Velma’s witnessing of the gruesome scene as she traveled to or from work instigated her lifelong pursuit to stop the cruelty toward Nevada’s wild horses.

Wild Horse Annie with her dog and horse
Wild Horse Annie with her dog and horse. (Wikipedia)

She began in the early 1950’s and succeeded with the 1955 bill in the Nevada State Legislature that banned aircraft and land vehicles from capturing wild animals on state lands. It was then she earned her nickname, “Wild Horse Annie.” But, Velma had a long way to go. She became a passionate speaker and made it her mission to save wild horses and burros throughout the nation. In 1971, the Wild Free-Roaming Horses and Burros Act was signed into law.

She also established wild horse refuges in the southwest. During the rest of her lifetime, she kept vigilant watch over America’s wild horses and called to task anyone who did not obey the laws she helped put into place. Wild Horse Annie worked hard to promote the idea that wild horses and Burros were “integral to the landscape” and seen as “living symbols of the pioneer spirit of the West.” She came up against many who wanted to silence her, and some even threatened her life, but Velma soldiered on.

After the death of her husband, Annie lived out the rest of her life with her mother. She died at age 65 in 1977 from cancer.

This post was first published on Kari Bovee’s Equus Plus blog on March, 22, 2018

Esther Howland Valentine

Esther Howland – Of Love and Letters

Esther Howland, at age 19, never thought when she received an expensive European paper Valentine from a business associate of her father’s, that she would one day be known as the “Mother of the American Valentine.” 

Esther Howland
mtholyoke.edu

Beautifully decorated with ornate cut-out paper flowers, a lace border, and a small envelope in the center containing a love note, the Valentine card touched Esther in a way that was probably not intended. Whether or not the business associate attempted to court her, or if she accepted his affection, is unknown, but because of Esther’s entrepreneurial spirit, she soon became the first person in history to mass produce what we know today as the Valentine card.

Born in 1828 in Worcester, Massachusetts to Edward Howland, the owner of a successful book and stationary store, and her mother of the same name, Esther Howard, an author, young Esther seemed destined to have a career in the arts and letters. 

After receiving the Valentine from her father’s colleague, Esther liked the idea so much, she asked her father to order the appropriate materials, and she set out to make her own cards. She made about 12-15 prototypes. Her brother, a salesman for their father’s company, added the dozen samples to his inventory and took them on his next sales trip. He returned with more than $5,000 in advanced sales for the charming Valentines. 

Esther Howland Valentine
wikipedia.com

Overwhelmed with the order, Esther recruited friends and neighbors to create one of the first known assembly-lines in business history. She was able to fulfill the orders, and her business was born. Her products, known for their original beauty, and innovative romantic messages, were available for a wide range of prices. More elaborate cards including gilded lace, ribbon, hidden doors, and interior envelopes that allowed for locks of hair or engagement rings, sold for up to fifty dollars. Simpler cards could be purchased for as little a five cents. 

As with any successful venture, there soon appeared competitors vying for a spot in the lucrative Valentine’s Day card market. To distinguish herself from the rest, Esther had her cards made with the stamp of a red letter H on the back of her cards, along with the letters N.E.V. Co, which stood for the name of her business, the New England Valentine Company. It wasn’t long before Esther was having her staff make Christmas cards, New Years cards, Birthday cards, and May baskets.

In 1879, Esther’s company outgrew her home operation, and she moved the business to a factory building. In that same year, she published the “Valentine Verse Book.” The book contained over 130 Valentine verses printed in different colored inks, that could be cut out and pasted to a Valentine card, or adhered over a card’s existing message. 

In 1880, after a tremendous career, Esther sold her company in order to take care of her ill father.  Fifteen years later, in 1904, she fractured her leg and was bedridden. She died within the year. 

Esther, an empowered woman and entrepreneur, saw the seedling of an incredible idea, and then grew it into her own field of flowers, setting an example for women of her era and beyond. She provided a simple yet beautiful way for people to meaningfully express their love and devotion to one another, and she will always be known as the Mother of the American Valentine.

 

 
Cleo

Dancer, Model, Muse – Cléo de Mérode

She trained at the Paris Opera Ballet at seven years old, made her professional debut at age eleven, became a fashion icon at sixteen, and was muse to some of the most notable artists and photographers of all time—but who was this woman?

Someone destined for greatness from the beginning.

Her parents, the Austrian landscape painter Karl von-Merode–who claimed to be of noble ancestry–and a former Viennese actress, must have know their daughter would rise to fame and notoriety by giving her the name of one of the most powerful women in history.

Cleopatra Diane de Merode was born in France, either in Paris, Bordeaux, or Bairritz in 1875. At an early age, she showed an aptitude for dance and her mother, who must have been the original “stage mom,” had her audition for the Paris Opera Ballet at seven. She trained and performed with the company at age eleven. Her talent was only outshined by her beauty, and artists clamored to have her sit for them. By the age of thirteen, French greats Edgar Degas and Jean-louis had painted her.

Cleo de MerodeAlready the toast of the Paris dance scene by the time she’d fully matured, Cleo also became a fashion icon known for her trademark hairstyle–parted down the middle and fastened into a low chignon at the base of her neck– and her impossibly tiny waistline. Before long, Cleo was the most photographed woman in France, perhaps even all of Europe. Her image appeared on postcards and playing cards, and were much sought after as collectables. She was also depicted in statuary at the waxworks Musee Grevin, owned by famous caricaturist Alfred Grevin, in his “Behind the Scenes at the Opera” exhibit. She was the late 19th  century’s European “it girl” before she was twenty years of age.

In 1895 Cleo had the honor of sitting for the renown artist, Toulous-Lautrec. A year later, the sculptor Alexandre Falguire unveiled a sculpture that would start and onslaught of scandalous and sensational press for young Cleo. He’d cast the sculpture of her in the nude. Shocked, Cleo set out to make sure the public knew she had not posed for the sculpture sans clothing, by sending a note stating as much to the editor of Le Gaulois, the French daily newspaper. Unable to bear people seeing her with the “horrid bare statue in their minds,” she retreated out of the public eye for a time. 

However, the people of Paris were hungry for news of the beautiful Cleo, so they made up their own. It was soon bantered around Paris that the reason she wore her hair in the low chignon was to hide the fact that she had no ears. To dispel that rumor, Cleo came out into the light of day again, this time wearing her hair back off her face, or up on top of her head to show the world she indeed, had ears. 

But, the most salacious rumor about Cleo came out later that year. King Leopold II of Belgiam, aged 61, who had several mistresses, came to Paris for political reasons, but mentioned he’d come to see Cleo perform at the Opera Ballet. Rumors abounded that he was completely head-over-heels about the twenty-two year old dancing sensation. Stories were told of gifts of jewelry, and an apartment in the most fashionable part of Paris, solely for the purpose of romantic trysts. 

In reality, Cleo lived with her mother in a modest apartment, but Paris would not be satisfied without their scandals. Cleo and her mother, both practicing Catholics, could not bear the rumors of her relationship with the King (which stayed with her forever) and left Paris for St. Petersburg, Russia where she again danced her way into the hearts of the populace, including the Russian nobility, dukes and princes.

Cleo in costumeBolstered with confidence from her fame in Russia, Cleo returned to Paris and accepted an invitation to be the first ballet dancer to perform at the Folies-Bergere- for a more than generous salary. Her restored confidence brought her even more popularity, and she was again the toast of Paris. In 1897 Cleo decided to spread her dancing wings and traveled to the United States with her “mom-ager” in tow, and played for a month in New York City. Although the press was not kind, stating that she could not dance or act, her short stay in the United States was worth the trouble as she made over $9,000, which in today’s money would be over $58,000.

Unable to prevent public scrutiny, Cleo decided to embrace it. Her mother died in 1899, when Cleo was twenty-four years old. Now alone, Cleo had to manage her own career, and instead of hiding from the press, she invited them into her world. Reporters sat in on her meetings with theater managers and directors, and watched her rehearse for her roles. Her insight into fame, her talent, and her beauty resulted in her becoming an international star in adulthood. She performed across Europe and the United States, and adopted the dancing styles of the places where she toured. In 1904, she toured the Scandanavian countries of Denmark, Norway, and Sweden. When she returned to Paris, she turned over 3000 love letters to the editor of Le Figaro for publication.

Later in life, Cleo reduced her performance schedule and when not dancing spent her time pursuing her other artistic talents. An accomplished pianist, she spent time in solitude playing music, but never for the public, and she also took up sculpting. She crafted figurines of dancers, shepherds and shepherdess, which she sold for additional income.

In her early 50’s, Cleo retired from performing and moved to a villa in the seaside town of Biarritz where she pursued a career as a dance instructor. She worked into her eighties and died in Paris in 1966. 

Although she never married, Cleo was rumored to be engaged at various times to a Russian count, an American millionaire, a wealthy land owner, a Polish aristocrat, and of course, King Leopold. The rumors of her affair with Leopold are still alive today, but most accounts provide little proof. Cleo herself claimed to have only been involved with two men in her life, one who died of typhoid fever, and another who left her for another woman.  

While the rumors of her affairs linger, so does the legacy of Cleopatra Diane de Merode. She inspired many artists with her beauty, including her fellow countryman Gustav Klimt, whose primary artistic focus was the female form and female sexuality. Whether or not she had a relationship with the artist is unclear, but in 2006, a film titled Klimt starring John Malkovich, highlights Klimt’s relationship with a young beauty named Lea de Castro, whose character is inspired by the one and only Cleo de Merode. 

Sources: Stagebeauty.com, Wikipedia.com, Frenchsampler.com

annie oakley mystery series kari bovee novel authorAre you a historical fiction fan? Do you love a good adventure and a strong female lead? Check out my Annie Oakley Mystery Series here!

 

 

Mary Todd Lincoln – Judged Unfairly by History?

By many historical accounts, Mary Todd Lincoln, the wife of the 16thPresident of the United States, is portrayed as emotional, irrational, difficult, and spoiled. In all fairness, she might have been these things, but the explanations for the reasons behind these behaviors varies.

As a teenager, Miss Todd’s contemporaries described her as kind, intelligent, well-educated and vivacious.

Mary Todd LincolnMary grew up in Lexington, Kentucky, a town her family helped found. The daughter of a wealthy merchant or banker (accounts vary), Mary had every luxury a young girl in the 1800s could want. Her parents, Robert Todd and Elizabeth Parker Todd raised their children in comfort and refinement. However, wealth did not provide much happiness for Mary after the death of her mother who died while giving birth to her seventh child. Robert Todd soon remarried and Mary, at age six, did not get on well with her step-mother.

Despite her unhappy home life, Mary received an excellent education and excelled in school where she mastered the French language and studied dance, drama, music, and social skills. She also showed a keen interest in politics.

As a young woman, Mary moved to Springfield, Illinois to live with her married sister, Elizabeth Porter Edwards. Outgoing and social, she soon became popular among the blue-bloods of Illinois and had many beaus. Among them, a young lawyer Stephen A. Douglas, the man who would run against her future husband for the presidency. But, Mary chose Abraham Lincoln, much to the concern of her family who thought she married beneath her.

Mary and Abraham shared a love of literature and politics, and their endearment for one another lasted until his untimely death.

Though very much in love, the Lincoln’s experienced more than their share of loss with the death of two of their sons; Edward (Eddie) at age four, and William (Willie) at age fourteen. William died while the Lincoln’s lived in the white house, three years before his father.

During her time as First Lady, Mary came under intense scrutiny. Coming from a Confederate family didn’t help her cause. Mary’s family had been slaveholders and several of her half-brothers served in the Confederate army during the war. Some accused her of being a Confederate spy. Fiercely loyal to her husband, she always supported his views and his quest to end slavery and save the Union.

For much of her adult life, Mary suffered from migraines and depression. The migraines became more frequent and more intense after a carriage accident during her time in the white house. Mary’s depression worsened after the death of the couple’s son Willie in 1862. Despondent and overcome by grief, Mary experienced wild mood swings and was prone to temperamental outbursts—sometimes in public. To assuage her grief, she also explored spiritualism and used mediums to reach out to her dead sons, and later her dead husband. All of this added up to a kind of “female hysteria” in the public’s opinion.

Mary also came under criticism for her spending habits. During Lincoln’s presidency, she completed a lavish redecorating of the white house. Probably not a good idea as money was needed to fight the war. She also spared no expense in expanding her wardrobe to include fine silks and lace. Perhaps as first lady, she felt she needed these things to be presentable on the arm of her husband while he went about the business of being President, but others didn’t see it that way.

As one could imagine, when her husband was shot at point blank right in front of her and then later died from his wounds, the state of Mary’s mental health did not improve.

As a widow, Mary returned to Illinois to be nearer to her two surviving sons, but when Thomas (Tad) died in 1871, grief overwhelmed her again. Her son Robert Lincoln became alarmed at his mother’s increasingly strange behavior. He had her committed to an asylum, but her depression did not improve. She experienced fever, headaches, gait problems, delusions and hallucinations. After a year in the asylum and many imploring letters to her lawyer and finally the Chicago Times, Mary was released to the custody of her sister. Shortly after, she took up residence in France to escape further public scrutiny, and her estranged son Robert, who controlled her finances.

Her health continued to decline and after four years in Europe, she returned to her sister’s household and died in 1882.

Many historians contribute Mary’s odd behavior for some thirty years to bipolar disorder, but it has also been suggested that she suffered from pernicious anemia—a vitamin B12 deficiency. She might have suffered from both.

It is hard to imagine what it must be like to be the wife of a president, or a country’s leader, especially during a Civil war. Given the difficulty of Mary’s life before she became First Lady, and certainly with the pressures she endured after with the death of three children and her husband, in addition to physical and emotional health issues, it’s no wonder she seemed a little off her rocker.

Although not one of the most popular First Ladies in history, Mary Todd Lincoln can be remembered as a devoted wife and mother, and loyal to her role in the white house. Despite illness, incomprehensible grief, and public disapproval, she showed fortitude in keeping up the good fight and enduring despite it all.

annie oakley mystery series kari bovee novel authorAre you a historical fiction fan? Do you love a good adventure and a strong female lead? Check out my Annie Oakley Mystery Series here!

 

 

Upcoming Book Release – Shoot like a Girl!

Watch this video about my upcoming e-book release, Shoot like a Girl, the prequel novella to Girl with a Gun. 

If you like Annie Oakley, you will love these tales of intrigue in Buffalo Bill’s Wild West Show!

You can purchase Girl with a Gun at these retailers.

Spark Press: https://gosparkpress.com/product/girl-with-a-gun/

Amazon: https://amzn.to/2MyCdrs

Barnes & Nobel: https://bit.ly/2xTsplN

 

 

Annie Oakley horse

The Life and Times of Annie Oakley (Repost from 2012)

Phoebe Ann Mosey, (or Moses) most commonly known as Annie Oakley, learned self-reliance at a young age. Her family lived in a cabin near Greenville, Ohio, where the winters were often treacherous. When she was six years old, Annie’s father left the home in a snowstorm. He returned frost-bitten and grievously ill. He died a few months later of pneumonia, leaving the family in a dire financial situation. Her mother married again but the finances did not improve. Unable to feed all of her children, Susan Mosey sent Annie and her older sister, Sarah Ellen, to the “poorhouse” also known as The Darke County Infirmary. Put in the care of the superintendent and his wife, and Annie and Sarah learned housekeeping skills in addition to embroidery and sewing.

In the spring of 1870, Annie was “boarded out” to a couple to help care for their son and help with household chores. The job paid fifty cents a week and the couple assured Annie and her mother she would receive an education. The couple did not keep their promises, nor did they pay on a regular basis. Not much is known of this couple, and Annie never mentioned their names but only referred to them as “the wolves.”

Exceptionally cruel to their young charge, the couple would often beat Annie or lock her in a closet. Once, when she fell asleep doing some darning, they punished her by throwing her out into the snow with no shoes for the night.

After two years of abuse from “the wolves,” Annie escaped and found her way back to her mother, who was again widowed and remarried. The family still lived in poverty.

Annie OakleyThe only item that remained in the house belonging to Annie’s father was his shotgun. Longing for her father, Annie taught herself to shoot and started hunting game to help feed her family. Word got out about Annie’s deadly aim and she soon started selling the game she killed to the locals in Greenville, as well as to the restaurants and hotels in Southern Ohio. Her birds were well sought after because Annie always hit the birds in the back of the head, leaving no shot pellets in the tender meat. By fifteen years of age, Annie made enough money to pay off the mortgage on the family farm.

On Thanksgiving Day in 1875, the Baughman and Butler shooting act came to Cincinnati. Shooting was a popular past time and shooting contests were the perfect way for people to showcase their talents. Frank Butler, the traveling show’s marksman placed a bet for $100 (equivalent now to about $2,000) that he could beat any local shooter. Annie’s friends and family urged her to travel to the big city and try her luck. In the end, luck had nothing to do with it, but pure skill did. Imagine Butler’s surprise when fifteen-year-old, five-foot petite Annie turned up as one of the challengers. One by one, the targets were released (either live birds or glass balls). Annie shot and then Frank shot, neither one missing until the 25th target.  Frank missed. The young, child-faced girl from Greenville won.

While most men might have had their pride wounded, or might have been angry at a teenage girl besting them at this coveted skill, Frank Butler’s reaction was quite different. Smitten by Annie, after the contest he gave her tickets to his show. Soon, the two fell in love and married. Annie joined the Baughman and Butler shooting act, not as a shooter, but as Frank’s assistant. One week, Baughman could not perform due to illness. Annie stepped in. Per her usual performance, she never missed a target and the crowd fell in love with the pretty petite sharpshooter. She permanently replaced Baughman and the couple took their show on the road.

In 1885, Annie auditioned for Buffalo Bill’s Wild West show. Impressed with her accuracy and lady-like demeanor, Bill Cody hired her, and Frank became her manager. Annie soon became the star attraction of the show and remained so for seventeen years.

Whether she used a pistol, rifle, or shotgun, “Little Sure Shot,” as she was named by Chief Sitting Bull (also a star of the show,) rarely missed. Her feats included shooting a dime in midair at 90 feet, shooting the thin edge of a playing card at 90 feet and then puncturing it with six or seven more shots before it hit the ground.

Shooting the ashes off of a cigarette placed in Frank’s mouth always pleased the crowd. While touring in Europe, the Crown Prince of Germany demanded Annie shoot a cigarette from his mouth, but she would only do it if he held the cigarette in his hand. It wouldn’t do if the American “sure shot” blew the face off the Prince of Germany!

In 1901, Annie suffered massive injuries in a train accident while traveling with the Wild West Show through North Carolina. After five spinal surgeries and temporary paralysis, she recovered. The injury did not affect her shooting skill and she continued to set records.

Annie Oakley medalsIn 1902 Annie left the Wild West Show to pursue a quieter life. She began an acting career and performed in a stage play written especially for her called The Western Girl. Annie also used her talents for philanthropy. She traveled the East coast, at her own expense, demonstrating the safe and effective use of firearms for World War I soldiers. Involved in women’s causes, Annie helped young girls, orphans, and widows to further their education. She believed it was crucial for women to “know how to handle firearms as “naturally as they know how to handle babies” and it is believed she taught over 15,000 women to use a gun.

In 1904, William Randolph Hearst published a false story that Annie Oakley had been arrested for theft to support a cocaine habit. The story caught fire and newspapers all around the country printed the report. The woman who had actually been arrested was a burlesque performer who used the name “Annie Oakley.” Still, the newspapers, ever eager for a story of a fallen hero, persisted.

Annie spent the next six years in court trying to regain her reputation. She won 54 out of 55 libel lawsuits against the newspapers. Hearst, in an attempt to avoid paying court judgments of $20,000, sent a private investigator to Darke County to get dirt on the famous sharpshooter. They found nothing.

Well into her sixties, Annie continued her philanthropic work and also participated in shooting activities. In 1922 Annie entered a shooting contest at sixty-two years of age. She hit 100 clay targets in a row from 48 feet. Later that year, she and Frank were in a car accident where Annie sustained more injuries. Again, the injuries didn’t stop her and she continued to set records until 1924.

In 1925 Annie’s health finally gave out. She died of pernicious anemia at the age of sixty-six.

Annie Oakley, an American hero, is considered a role model for men and women alike because of her accomplishments and her moral character. She has been the subject of numerous articles and biographies, film and stage dramatizations, and her story is present in many historical museums. She was also inducted into the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas.

Annie Oakley’s motto for life: “Aim at a high mark and you will hit it. No, not the first time, nor the second and maybe not the third. But keep on aiming and keep on shooting for only practice will make you perfect. Finally, you’ll hit the Bull’s-Eye of Success.”

On June 19, 2018, my historical fiction novel Girl with a Gun – An Annie Oakley Mystery was released by Spark Press. You can find a copy at these retailers:

Spark Press: https://gosparkpress.com/product/girl-with-a-gun/

Amazon:  https://amzn.to/2vWAXUq

Barnes & Noble: https://bit.ly/2xTsplN

Powells: http://www.powells.com/book/-9781943006601

References: www.annieoakleyfoundation.org/bio.html, Women in History, Living vignettes of notable women from U.S. History, www.lkwdpl.org/wihoio;oakl-ann.htm, Wikipedia,

 

group portrait

Mollie Johnson – Queen of the Blondes (Part Two)

Continued from 7/8/18 Read Part One here.

Prostitutes 1800's
Prostitutes 1800’s

In 1879, a fire raged through Deadwood, burning many places to the ground including Mollie’s. The day before the fire, one of Mollie’s girls had died due to either injury from a cat bite, or some other illness. She lay in her coffin in Mollie’s parlor as the roof caught fire. Mollie made no action to save her furnishings or herself until someone could take the young woman’s body to the neighboring town of City Creek, for burial.

Though Mollie had a reputation for a lack of generosity toward other “soiled doves” of Deadwood, the newspapers, particularly the Black Hills Daily Times, loved to stir up controversy concerning the popular madam. In one instance, the Times alluded to Mollie providing information to the U.S. Marshall regarding three of her competitors selling alcohol without a license. Mollie retorted back in a note to the Times stating she would do nothing of the kind against her “sisters in sin.” The Times later stated they received their information from another source.

Though newspapers like the Black Hills Daily Times loved to report stories of Mollie’s wickedness, they also gave her credit for her generosity with local girls like Miss Pettijohn and Miss Woodall, and also for her financial support of Irish Famine Relief.

According to Bryant, with the passing of time, the stories of Mollie Johnson became less and less frequent. He alludes to the idea she traveled more, or that perhaps the newspapers just lost interest. Maybe with age, Mollie settled down and didn’t give them much to write about.

We may never know what prodded Mollie to become a prostitute like so many other women who settled in the west. Perhaps she had no family and struggled to survive, or perhaps she saw an opportunity to become a businesswoman in a time that didn’t allow women to prosper by any other means. Whether or not the stories are true, the accounts of Mollie’s life and her business paint a colorful portrait of a woman who made an impact on the town of Deadwood, South Dakota, and the history of the wild west of the late 1800’s.

annie oakley mystery series kari bovee novel authorAre you a historical fiction fan? Do you love a good adventure and a strong female lead? Check out my Annie Oakley Mystery Series here!

 

 

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Coco Chanel

Seven Mysteries of Coco Chanel (Part Two)

(Continued from last week – find Part One here.)
Her reasons for closing shop

After the stock market crash in 1929, many businesses struggled, including Coco Chanel’s couture house. In 1939, at the outbreak of WWII, she closed down her shops, leaving over 3,000 employees out of work. Some suggest she did this in retaliation against those workers who took part in the labor strike in France in 1936, which forced her to close her business at the time. She maintained that wartime was not a time for fashion. Only Coco knew her motivations during that period in history.

Her Nazi affiliation

Coco ChanelIt is suggested that Coco Chanel, influenced by her lover the Duke of Westminster—an outspoken anti-Semite, had little tolerance for the Jewish population. This idea is further supported because, during the German occupation in France, Chanel had an affair with a German diplomat, Baron Hans Gunther von Dincklage. Chanel received special permission to continue her residence at the Hotel Ritz in Paris, the preferred residence of high ranking German officials. It was also rumored that through von Dincklage, Chanel may have served as a Nazi spy. When the war ended, Chanel was interrogated about her relationship with von Dincklage and her affiliation with the Nazis. Some believe her friend Winston Churchill came to her aid. Chanel was never officially charged. She left Paris to spend time in Switzerland.

Her relationship with the Wertheimers

Early in her career, Chanel met businessman and director of a well-known perfume and cosmetics business, Pierre Wertheimer, through a mutual friend, Theophile Bader. Together, with Pierre’s brother Paul, they created “Parfums Chanel,” with the Wertheimers providing full financing, marketing, and distribution of Coco’s classic fragrance Chanel No. 5. The agreement stipulated that the Wertheimers received seventy percent of the profit, Bader twenty percent, and Chanel ten percent—with the caveat she allowed them to run operations of Parfums Chanel. She never got over the disappointment at the deal and made no secret of her dislike of the Wertheimers, who were Jewish. One wonders why she would agree to such a contract, but she must have had her reasons.

She decided to sue. In 1924, they renegotiated the original contract and in 1947, Chanel received wartime profits of the perfume, estimated at nine million dollars in today’s money. She also would receive two percent of all sales worldwide. In addition, Wertheimer agreed to pay for Chanel’s living expenses for the rest of her life.

When Chanel, at seventy years of age, revived her couture house in 1954, Wertheimer financed the business.

 Her morphine addiction and death

Coco Chanel ran with a fast crowd. At least two biographies, one by Lisa Chaney, and another by Hal Vaughan maintain that Chanel was a habitual user of opiates, particularly morphine.

Chanel died in her suite at the Hotel Ritz in Paris in 1971 at eighty-seven years of age. Some accounts state she wasn’t feeling well, and after returning from a walk with a friend went to bed and died peacefully in her sleep. Others allude to the supposition that upon retiring to bed, she gave herself one last injection. She might have, but whether it killed her has not been recorded.

One thing is certain, Coco Chanel liked to keep everyone guessing. From her birthdate to her upbringing, to her reasons for not marrying—and even how she died, this fashion icon who changed the world with her smart and elegant fashions, definitely had the last word.

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