Some people find empowerment through their passion. Other people find empowerment through what they do for mankind. Still others find empowerment through their search of self and belonging. Such is the case for Mabel Dodge Luhan, self-proclaimed Muse of the Arts.
As an only child, Mabel Dodge Luhan grew up with wealth and privilege; two things many people strive their whole lives to achieve. But what she never had, until later in her adulthood, were things that many people take for granted; love, attention, and feeling of belonging.
Mabel’s father, Charles Ganson, inherited his wealth from his powerful banking family. Charles went to school and trained to be a lawyer, but his nervous disposition and volatile temper impeded his success. During Mabel’s growing up years, Charles spent time with his dogs, or in his study not doing much of anything. According to an article at Enclyclopedia.com, Mabel states that, to her father she “…was something that made noise sometimes in the house, and had to be told to get out of the way.”
Sara, Mabel’s mother, often the victim of Charles’ temper, grew indifferent to him and had little interest in her only child. While Sara entertained herself with the society of New York, Mabel spent most of her time in the care of a nanny, and then later school mistresses at Saint Margaret’s Episcopal School for Girls, and Miss Graham’s School in New York City. At 16, Mabel toured Europe and then attended the affluent Chevy Chase Finishing School in the Washington, D.C./Maryland area.
Educated in the arts of an upper crust domestic wife, Mabel, at 21 years old, married Karl Evans, another silver spoon youth. Her father did not approve of the match, and her mother remained indifferent.
The young couple soon had a child, a boy they named John. Perhaps because of her own upbringing, Mabel struggled with the confines of marriage and child rearing. After only two years of matrimony, Karl died in a hunting accident, adding to Mabel’s emotion duress. A single mother, now facing life alone, Mabel suffered a nervous breakdown. When she recovered, she took her young son and moved to Europe. In Paris, she met Edwin Dodge, an architect from Boston. He pressed his suit, and eager for a father for John, and security for herself, Mabel agreed to marry Dodge in 1904.
The couple moved to Florence, Italy where they settled in a lovely villa they called Villa Curonia, a famous estate originally built for the powerful Italian Medici family. But, happiness still eluded Mabel. Trapped in a loveless marriage, and unable to escape the depression that would reoccur throughout her lifetime, Mabel needed a diversion. She embarked on her quest to become a muse of the arts, or as she states in her autobiography, Intimate Memories, “a mythological figure…in my own lifetime.”
For eight years, often dressed in Renaissance costume, Mabel entertained the famous and noteworthy of International society, including novelists, artists, photographers and art critics. Her Italian “salon” became a place of philosophical, political, and artistic enlightenment.
Still discontented with married life, Mabel left Dodge and moved back to New York where she established another salon for the artistic intelligentsia. From 1913 to 1916, she entertained those interested in unconventional attitudes of the era. Freudism, free-love, anarchy, and modern art were popular avant-guard topics discussed at Mabel’s house. Inspired by the conversation, Mabel embarked on a writing career and wrote for literary and art magazines, including Alfred Stieglitz’s publication, Camera Work. Stieglitz and his mistress at the time, Georgia O’Keeffe, frequented Mabel’s home along with mutual friends Leo and Gertrude Stein.
Between 1914 and 1916, she met and married artist Maurice Stern. Even though Mabel had created a world of her own, she still could not find happiness. In 1917 she and Stern traveled to New Mexico, a provincial and wild place she’d learned about from her friends the Steins. She arrived in Santa Fe, and was entertained by other wealthy, female east-coast transplants like Alice Corbin and Natalie Curtis Burlin, who had already established themselves in the town.
Eager to put her mark on a new and nearly undiscovered place, Mabel found Santa Fe too confining. In her book Ladies of the Canyons, Lesley Poling-Kempes asserts that “for Mabel, the real problem with Santa Fe was its population, however small, of erudite, creative, and audacious New Women who were already making their mark on the place. Mabel needed her own space to make her mark . . .”
Mabel moved to the nearby village of Taos to start her own literary society. There she met and befriended Tony Luhan, a Pueblo Indian. Mabel asserts that before arriving in Taos, she had a dream where she saw her husband Maurice’s face turn into that of an Indian. Mabel believed Tony to be that man. Tony encouraged Mabel to buy property, a 12-acre parcel of land, complete with a tiny dwelling. Tony helped the Stern’s remodel and rebuild the four-room adobe house. He set up a teepee on the Stern’s front lawn, and proceeded to woo Mabel. It worked. She sent Maurice packing and married Luhan in 1923.
The colorful landscape and rich culture of Taos gave Mabel the life and love she craved. Finally, happy and at peace, Mabel, with her fourth and final husband, Tony Luhan, entertained some of the most famous literary and artistic minds of their time, including Ansel Adams, Willa Cather, Aldous Huxley, and D.H. Lawrence. Georgia O’Keeffe, while visiting Mabel, decided that she, too, could find infinite inspiration from the enchanted landscape of New Mexico, and also settled there.
The Luhans eventually expanded their home to 17 rooms, and continued to provide literary and artistic inspiration for others, as well as forging Mabel’s own talents as a writer.
Never known for her warmth or sunny personality, Mabel, regardless, indeed made her mark on New Mexico and American history. She promoted Native American culture and art, as well as other important artists, writers, and abstract thinkers of her time. She found empowerment through her continual quest to get her life just right, and become the person she aspired to be.
Her vision, her promotion of others and herself, helped make Mabel Dodge Luhan an institution in Southwestern history.
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